Posts Tagged ‘photography background’
Does your photography not quite measure up to your creative mental picture? Need to know how to instill “pizzazz” in your pictures? The team at PartTimePhotography.com has produced an innovative new “photography background Creation” course designed to instantaneously move your pictures to a whole new level – with a minuscule budget.
For many people, making reasonable exposures is simply a matter of putting our camera’s adjustments on autopilot and shooting away. But the one thing our camera CAN’T perform for us is to produce a gorgeous, professional looking background.
That is a tremendous creative factor that separates the pros from the novices.
Hand painted, material backdrops can cost THOUSANDS of dollars. Significantly too much for most newbie budgets…therefore, until now, we’ve resigned ourselves to shooting without them and dreaming of – someday.
That someday has arrived. Part Time Photography has produced a course training all of us of the best way to create professional quality photography backdrops for pennies on the dollar! In reality, they assert you could produce FOUR beautiful backdrops for around the cost of shipping on just ONE of the commercially made ones.
During this quick, on line video course, you’ll first discover what supplies are necessary and where to acquire them… You then will make your first photography background – a blue, “Old Masters” style along with learning multiple ways of using it for getting unique effects.
Next up, you’ll produce a red background – then a black one and eventually gray. They are in the favored “Old Masters” style that shooters have gravitated to for decades.
When completed (they each merely take a couple of minutes to produce) – you’ll be able to roll them up, toss them inside your car, and never be without a picture background again!
The second section shows you a simple way to create a background that is expandable and can be used on any size “set”.
The following section covers chroma key backdrops…their history, why you on occasion see a blue screen and other times a green one…and how to acquire and use your own. Again, you will possess your own for pennies on the dollar.
At last, the tutorial shows tips on how to totally master your camera, lenses and lighting gear in order that – using the basic backdrops you’ve previously learned to produce – you’ll be able to turn them into any color (and any shade of that color) background – at will, without guesswork. This is a very advanced technique that not many shooters comprehend. Even most pros fall short with this area.
Beautiful, “Old Masters” style backdrops are actually within the financial reach of even the greenest of beginners. By the point you’ve gone through the materials and produced your four photography backgrounds, your photographs will skyrocket to a higher level and start to actually develop into an art form and not just a recording medium.
For more information on the new photography background course, just visit: http://www.PartTimePhotography.com/PhotographyBackground.html
Are you sick and uninterested in shooting (and seeing) the identical old photos, over and over again? You have been told that “blue screen” may be the path to go, but you do not truly comprehend it or even know a great deal about it? This is all you need to be familiar with to use it as a photography background!
Firstly…What exactly is it?
You’ll hear the words “green screen”, “blue screen”, and “chroma key” thrown around and employed interchangeably when discussing a photography background.
Chroma key merely means using a background that is one solid, evenly illuminated color. The green and blue are the most typical colors. Actually, you can use ANY color – but green and blue are best. I will explain why that is the situation in a moment.
Chroma key techniques can be utilized within either video and still work. You photograph someone in front of the blue screen and then we later (or instantly with high end video cameras) you take out the solid color and exchange it using any type of backdrop you need!
That is the way the local meteorologist does the weather report. They’re just standing in front of a blue screen and the camera digitally strips it out and puts in your local weather map. They’re just looking at themselves on the monitor to find out where to point and so on. It really is confusing and harder than you may think in order to be a weather reporter!
Next…Why the colors green or blue?
Generally we work with blue and green because they are the farthest away from the colors present in skin coloration. The technique was originally done with blue, but as the quality of cameras changes, green appears to work more efficiently. It really is simpler to strip out of the background, therefore nearly all studios are changing to green. But it really does not hurt to have both.
One more advantageous advantage for green is that it generates fewer apparel conflicts.
Since color is automatically deleted and substituted, if the subject is wearing a shade of that color (blue) as part of their apparel…it will be replaced. You’ll frequently see shirts and ties that develop into humorous looking holes in the subject – showing through to the replacement background.
It has even happened among blue eyes!
Green tends to make less of a apparel conflict, it truly is less difficult for the cameras to work with and it’s simpler and easier to light evenly.
Flat lighting is important because shadows falling on the background will appear in the ultimate result. This tends to destroy the realism of the photography background. And also, employing irregular lighting, you’ll make various shades of the color…a number of which may not get eliminated correctly.
The 3 major kinds of green screen backdrops are: fabric, paint and paper.
Paint is nice when you have a studio with a cove and you do all your shooting there…it can be useless if you ever ever would like to shoot on location.
Paper can be purchased in big rolls, but is easily ripped and regularly needs replacing. This can get expensive in a hurry.
Material tends to endure longest and is portable. And material is simple to wash (grimy green screen backdrops won’t work well).
Any material store can provide some material that can accomplish the task. Obtain a little and do some testing with your photography background, any photo editing program is able to take out the color. Take a crack at it, you’ll like it!